THUMBS UP

Koro or incense burner in the form of a hare crouching and looking upwards, its ears pointedly alert, of cast and cold chiseled bronze. A cloud form hinges the lid across the back. Late Muromachi–Momoyama Period, 16th century. Probably admiring the moon, this hare has soft curving lines and extremely fine color. Bronze suiteki or water droppers in the form of rabbits with similarly erect ears were also cast in the 16th century

8" high x 5 3/16" x 3 5

BEAUTY QUEEN

Koro or incense burner in the form of a plump hare scratching its ear, of cast and cold chiseledakagane bronze with a mottled red benido patina. With a later piercework silver lid. Edo Period, early 19th century.

5" high x 6.5"

BIG BUNNY

Okimono in the form of an alarmed plump rabbit, of cast and cold chiseled bronze with touches of gilt. Unsigned. Late Edo Period, early 19th century. The bronze and gilding have taken on a warm softness with age.

5" high x 4.5" long x 2 7/8" deep.

SINGING BUNNY

Kōro or incense burner in the form of a fierce long eared hare. Of cast and cold chiseled bronze.

Edo period, early 19th century.

5 1/8” high x 7 ¾” long x 5 ½” wide.

THE LORD OF THE BUNNY

Okimono or sculpture in the form of a quizzical hare. Of cast and cold chiseled bronze, the eyes inlaid in red bronze. Signed with a cast seal form signature on the reverse. Early Edo Period, 17th - early 18th century.

With a period cypress wood storage box, with an applied paper label on the reverse of the lid inscribed: Kodo Usagi Okimono, Keio San Nen, Naniwa Konoike Kei Yori Motomu, Sumiyama Kei or Antique Bronze Rabbit Sculpture, In 1867 Purchased from the Konoike Family of Naniwa, (Osaka), (and signed) Sumiyama Family (Master).

The Konoike family was a major Osaka merchant house during the Edo Period, founded by Yamanaka Shinroku (1570 – 1650). Originally the family fortune derived from the discovery in about 1600 of how to brew refined, clear sake (as opposed to the unfiltered milky type). They became major shippers of the rice wine to Edo (now Tokyo), eventually becoming major agents for sales of Daimyo tax rice. By 1650 they were wealthy and expanding into the banking business of loaning money to feudal lords. By 1700 the Konoike were among the wealthiest merchants in Osaka, and all of Japan.

Only feudal lords and extremely wealthy merchants possessed okimono in the 17th century. Objects such as this were extremely rare until the end of the Edo Period in the mid 19th century. Early examples such as this hare reveal a quirky, fierce quality that disappears by the mid 18th century. Later pieces become increasingly appealing, with sweeter less wild expressions.

6” high x 8” long x 4 7/8” deep.

FOLLOW THE WHITE RABBIT

I don't do contemporary metal work... but artist Yabuuchi Satoshi 12 rabbits are just too cute

to learn more about the sculptor click here